Dubbed "excellent", "impeccable", "limpidly beautiful", "stunning," and "Boston's best", mezzo-soprano Thea Lobo has appeared under conductors Harry Christophers, Simon Carrington, Martin Pearlman and Helmut Rilling, and has been featured by the Handel & Haydn Society, Carmel Bach Festival, Firebird Ensemble, Opera Boston Underground, The Bermuda Festival, and Europäisches Musikfest Stuttgart. In 2009 Ms. Lobo toured Japan performing Bach's St. Matthew Passion with Cambridge Concentus under the direction of Joshua Rifkin. She performed the roles of Orgando in Handel's Amadigi with Boston Baroque, Third Lady in The Magic Flute with the Boston University Opera Institute, L'Enfant in L'Enfant et les Sortilèges with MetroWest Opera, and covered the role of narrator, Xiao Qing, for the world premiere of Zhou Long's Pulitzer Prize-winning opera, Madame White Snake, with Opera Boston. A proponent of new music, she has worked as a soloist under the direction of composers Steve Reich, Howard Frazin, Fred Lerdahl and Christian Wolff. Ms. Lobo was a prizewinner at the Bach Vocal Competition for American Singers, a grant-recipient of the Julian Autrey Song Foundation, a Lorraine Hunt Lieberson Fellow for Emmanuel Music, an Adams Fellow for the Carmel Bach Festival, and a featured recitalist at the Boston Portuguese Festival with tenor Zachary Wilder. During the 2011-12 season, Thea Lobo appears with Emmanuel Music, Boston Camerata, Tucson Chamber Artists, Arcadia Players, Boston Cecilia, Cambridge Concentus, and the Boston Early Music Festival.
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photo: John Coons
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